Programme
Eight papers have been accepted for SAAM 2018. They have been grouped in three main themes and will be presented as part of a panel discussion (short individual presentations followed by panel discussion).
14:00-14:40 Panel 1: Ontologies and Music Theory
- Cultural Heritage Documentation and Exploration of Live Music Events with Linked Data Florian Thalmann, Thomas Wilmering and Mark B. Sandler
- A Music Theory Ontology Sabbir Rashid, David De Roure and Deborah McGuinness
- The Software Defined Media Ontology for Music Events Ray Atarashi, Takuro Sone, Yu Komohara, Manabu Tsukada, Takashi Kasuya, Hiraku Okumura, Masahiro Ikeda and Hiroshi Esaki
14:40-15:20 Panel 2: Linked Data platforms for music and audio
- The Semantic Web MIDI Tape: An Interface for Interlinking MIDI and Context Metadata Albert Meroño-Peñuela, Reinier de Valk, Enrico Daga, Marilena Daquino and Anna Kent-Muller
- Music SOFA: an architecture for semantically informed recomposition of Digital Music Objects David De Roure, Graham Klyne, John Pybus, David M. Weigl and Kevin Page
- Swinging Triples: Bridging jazz performance datasets using Linked Data Terhi Nurmikko-Fuller, Daniel Bangert, Yun Hao and Stephen Downie
15:20-16:00 Coffee break
16:00-16:30 Panel 3: Semantic applications for music and audio
- Playsound.space: enhancing a live music performance tool with semantic recommendations Fabio Viola, Ariane Stolfi, Alessia Milo, Miguel Ceriani, Mathieu Barthet and György Fazekas
- Interaction perspectives for music notation applications Laurent Pugin
16:30-17:00 Industrial and Challenge panel
- Expressive completeness versus structural generality: can a single music representation support both? Tom Collins and Christian Coulon
- Roger Macdonald, Internet Archive
- Matthew McCallum, Gracenote
- Sergio Oramas, Pandora
